Features
Acoustic Guitars
- side-ports
- petit bouche sound-hole w/X-ray rosette
- *side-door adjustable aperture
- armrest, backrest bevel
- cutaway –florentine (pointed) or venetian (rounded), conforms to heel profile
- 14-fret neck, shortened upper bout, centered bridge
- *Tear-drop neck profile
- adjustable 2-way truss rod w/ double carbon-fibre thru-head reenforcement
- *Platform rim– triple-laminated sides
- *Radial back bracing
Nylon String Guitars
mostly the same as acoustic guitars except for:
- Raised fingerboard– exaggerated negative (oblique) neck angle
- compensated nut and saddle
- *frequency-compensated bridge
- triple carbon-fibre rod reenforced neck shaft (static)
- arm-and back-rest bevel
- *Under-cut 19th fret cutaway (w/ thumb-rest)
- *Platform rim
- 7-strut top w/open tone-bars
- radial back-braces
- *adjustable neck angle on F models
- side-ports w/side-door
Harp Guitars
- 7 sub-basses w/ sharping levers
- side-ports, side-door
- *carbon-fibre stretcher tube– end-to-end inner reenforcement
- adjustable neck truss-rod w/dual carbon thru-rods
- armrest, backrest
- *platform rim
Electric Guitars
- carved arch-top– maple or spruce
- *solid chambered back or bent rim/back w/ center mounting block
- *thru-back pickup mounts
- *Bigsby lifting postsor cast brass hard tailpiece
- *lateral adjustment (wedge saddle) bridge
- set neck
Electric Banjo
- *center-stick neck post mount
- wood or synthetic head skin
- 5th fret tuner or 5 string to nut
- dual humbucker pickup
Mandolins
- oval sound-hole w/ tri-ports, or edge-ports
- hybrid-x or tone-bar bracing
- arch top and back or arch-top w/raised overlay and flat-back
- scroll with double arch
- cast brass tailpiece
- height-adjustable bridge